Writing Through and About Sound

ImageIssue5-edit
Jesse Seay; Knitted VU Meter; 2014; Image courtesy of the artist.

 

 

 

 

 

 

I am delighted to present the fifth issue of the Interference A journal  of Audio Cultures, an issue for which I was the lead editor.

This issue of Interference asked authors to consider sound as the means to which we can explain the sonic. Contributions to the study of sound, apart from practice-based works, are often disseminated through language and text. This is the case for most analysis or research into sensory based and phenomenological studies. There is of course a strong case to be made for text; it is the universal way in which contemporary knowledge is transmitted. But perhaps there is an argument to be made for new ways to not only explore sound but to disseminate ideas around the sonic. For example, in what way can ‘sonic papers’ represent ideas about the experience of space and place, local and community knowledge? How can emerging technologies engage with both the everyday soundscape and how we ‘curate this experience’? What is the potential of listening methods as a tool to engage community with ‘soundscape preservation’ and as a tool to critique and challenge urban planning projects? Please click here for the journal.

Linda O Keeffe