{"id":1030,"date":"2014-10-05T12:23:23","date_gmt":"2014-10-05T11:23:23","guid":{"rendered":"http:\/\/insight.lancaster.ac.uk\/?p=1030"},"modified":"2014-11-27T12:25:48","modified_gmt":"2014-11-27T12:25:48","slug":"a-fragment-of-time-in-the-pure-state-painting-in-search-of-haptic-time","status":"publish","type":"post","link":"http:\/\/insight.lancaster.ac.uk\/?p=1030","title":{"rendered":"A Fragment of Time in the Pure State; Painting in Search of Haptic&nbsp;Time"},"content":{"rendered":"<p><a href=\"http:\/\/insight.lancaster.ac.uk\/wp-content\/uploads\/2014\/11\/home-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1032\" src=\"http:\/\/insight.lancaster.ac.uk\/wp-content\/uploads\/2014\/11\/home-2.jpg\" alt=\"home 2\" width=\"300\" height=\"225\" srcset=\"http:\/\/insight.lancaster.ac.uk\/wp-content\/uploads\/2014\/11\/home-2.jpg 300w, http:\/\/insight.lancaster.ac.uk\/wp-content\/uploads\/2014\/11\/home-2-270x203.jpg 270w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\"><\/a><\/p>\n<p>Journal of Visual Art Practice, 2009. Vol.8 nos.1 <span class=\"amp\">&amp;<\/span>&nbsp;2 Pp 37\u201358<\/p>\n<p>This article presents finding of a&nbsp;practice-based research project, conducted over a&nbsp;four year period, which proposes a&nbsp;new model for conceiving of painting\u2019s temporality, aligned with Proustian \u2018time regained\u2019 and the Deleuzian \u2018time image\u2019. The research establishes an innovative practical method of exchange between the painting\u2019s surface and the digital screen and demonstrates that a&nbsp;close dialogue with digital imaging offers contemporary painting practice an expanded topography and contributes to its ability to \u2018think\u2019 time in these terms. The method established is a&nbsp;means of <em>theorising process <\/em>and is presented in the text through sections of <em>process notes,<\/em> which map the development of a&nbsp;series of works that includes paintings and interactive digital pieces. This method builds upon two related AHRC funded projects (2004, 2006), and engages with current and historical debates around technologies in Fine Art practice to combine theoretical insight with the technical development of painting practice.<\/p>\n<p>The theoretical framework, drawing upon a&nbsp;wide selection of critical, philosophical and literary material, creates a&nbsp;view of painting\u2019s time in relation to haptic visuality and filmic time. The article introduces the notion of \u2018haptic time\u2019 as a&nbsp;way of conceptualising the outcome of a&nbsp;dialogue between painting and the digital, enabling a&nbsp;practice-based approach to the articulation of pure duration: Proust\u2019s \u2018fragment of time in the pure state\u2019.<\/p>\n<p>This edition of JVAP specifically addresses the \u2018artist\u2019s voice within academic research\u2019 through an engagement with fine artists\u2019 academic writing.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Journal of Visual Art Practice, 2009. Vol.8 nos.1 <span class=\"amp\">&amp;<\/span>&nbsp;2&nbsp;Pp 37\u201358 This article presents finding of a&nbsp;practice-based research project, conducted over a&nbsp;four year period, which proposes a&nbsp;new model for conceiving of painting\u2019s temporality, aligned with Proustian \u2018time regained\u2019 and the Deleuzian \u2018time image\u2019. The research establishes an innovative practical method&nbsp;\u2026<\/p>\n","protected":false},"author":2,"featured_media":1032,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[10],"tags":[],"coauthors":[30],"class_list":["post-1030","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-paper","post_format-post-format-image","column","twocol"],"_links":{"self":[{"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=\/wp\/v2\/posts\/1030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1030"}],"version-history":[{"count":1,"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=\/wp\/v2\/posts\/1030\/revisions"}],"predecessor-version":[{"id":1037,"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=\/wp\/v2\/posts\/1030\/revisions\/1037"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=\/wp\/v2\/media\/1032"}],"wp:attachment":[{"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1030"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1030"},{"taxonomy":"author","embeddable":true,"href":"http:\/\/insight.lancaster.ac.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=1030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}